Original artwork by Irene Grishin Selzer titled ‘Energy Pockets', 2016.
Her practice takes two separate, but interconnected forms. The first is the clay paintings and clay drawings, the second is object-based pieces.
The clay paintings can be regarded as a form of abstracted cartography - sprawling maps where scale is difficult to fathom, but we encounter pockets of energy, the movement of tides, electromagnetic waves and the build up of deeply encrusted topographical layers. The object based pieces may be thought of as individual points of focus, tiny areas of exploration, sandwiched cross-sections that pierce the surface or enigmatic relics and artefacts that carry the traces of ancient forms of spiritual energy.